Bio
Bio
Annie lives in Falmouth, UK and works from home: guesthouse, kitchen / lab, medicinal garden, studio and occasional residency space (blauhaus).
Prior to this she was in Bristol for 25yrs of city / art / life back in the days of peppercorn rents, site based interventions and massive sound systems; raising family and working on various artist-led projects and public art commissions.
She has over 30yrs experience in national / international art contexts and has received various awards. Projects are informed by relationships specific to particular situations and outcomes generated range across a wide spectrum of media & art / non-art forms.
“This is art as a social process. It is there in the way that she asks questions […] about locations and places, about the uses of technology, and about modes of production. Who is the work for? What are the meanings of places? What does it mean to place work here? What do visual technologies help us see/not see? How do they mediate our experiences?”
Martin Lister: catalogue text ‘afterimages’
“This is art as a social process. It is there in the way that she asks questions […] about locations and places, about the uses of technology, and about modes of production. Who is the work for? What are the meanings of places? What does it mean to place work here? What do visual technologies help us see/not see? How do they mediate our experiences?”
Martin Lister: catalogue text ‘afterimages’
Some published texts and reviews:
Lovejoy, A. (2019). “Call That Art? I Call It Bad Eyesight”: Seeing or Not Seeing in the Context of Responsive Art Practice. In: Boyd, C.P., Edwardes, C. (eds) Non-Representational Theory and the Creative Arts. Palgrave Macmillan
Insites: On Residency and Collaboration in Hawkins, H. (2013) Geography, Visual Arts and the Making of Worlds. Routledge pp153-181
Insites: a notebook: in Paton, D. (2013) The quarry as sculpture: the place of making, Environment and Planning A. Volume 45, pp.1070-1086
Caravanserai project in Hawkins, H. (2011) Dialogues and Doings: Sketching the Relationships Between Geography and Art. Geography Compass. Vol. 5. No. 7 pp.464-478
Your heart on my sleeve: in Rieser, M., ed. (2011) The Mobile Audience: Media Art and Mobile Technologies. New York, Rodopi. pp 445-452
Barton Hill project case study in Creating Excellent Primary Schools, CABE – Commission for Architecture and the Built Environment. 2009
Marking the Transition healthcare project in British Journal of General Practice
Volume 58, Issue 552, pages e1-e8. Venue Magazine, Bristol; Pulse, Medical Magazine 2008
The numbers & the names (an online memorial to 9/11): in Gough, P.J. (2003) ‘Commemoration of War’, in Graham. B. and Howard, P. (eds.) The Ashgate Research Companion to Heritage and Identity p.323-347
stirring: in Modern Historical Geographies ed. Brian Graham & Catherine Nash. (1999) Longman ISBN 0 582 35779 9
return: HTV feature 1998
return: double page feature by Simon Hattenstone, Love letters to my dead child. The Guardian. 29 April. pp.14-15. 1998